Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Princess of Gossip Review

Princess of Gossip
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Princess of Gossip ReviewThere are many reasons to read this book. The authors made it simple to "see" the story play out by making the characters realistic and easy to relate to, the plot line is both believable and fun, and they incorporated lots and lots of pop culture. But I think the biggest thing that makes this book different is how well it built technology into the story-- like cell phones and MySpace, which we all use now. I'd never read a book that seemed to "get" how we use those things and build them into the story so well.
If you keep up with pop culture, and you have ever experienced drama - online or otherwise - this book is a must-read for you.Princess of Gossip Overview

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Post Captain ( Book 2 in series) (Aubrey/Maturin Novels) Review

Post Captain ( Book 2 in series)  (Aubrey/Maturin Novels)
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Post Captain ( Book 2 in series) (Aubrey/Maturin Novels) ReviewSome critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe.
Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania.
Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatly. In some ways, it was a ruthless meritocracy whose structure and success anticipates the great expansion of government power and capacity seen in the rest of the 19th century.
O'Brian is also the great writer about male friendship. There are important female characters in these books but since most of the action takes place at sea, male characters predominate. The friendship between Aubrey and Maturin is the central armature of the books and is a brilliant creation. The position of women in these books is ambiguous. There are sympathetic characters, notably Aubrey's long suffering wife. Other women figures, notably Maturin's wife, leave a less positive impression. On board ship, women tend to have a disruptive, even malign influence.
How did O'Brian manage to sustain his achievement over 20 books? Beyond his technical abilities as a writer and the instrinsic interest of the subject, O'Brien made a series of very intelligent choices. He has not one but two major protagonists. The contrasting but equally interesting figures of Aubrey and Maturin allowed O'Brien to a particularly rich opportunity to expose different facets of character development and to vary plots carefully. This is quite difficult and I'm not aware of any other writer who has been able to accomplish such sustained development of two major protagonists for such a prolonged period. O'Brian's use of his historical setting is very creative. The scenes and events in the books literally span the whole globe as Aubrey and Maturin encounter numerous cultures and societies. The naval setting allowed him also to introduce numerous new and interesting characters. O'Brian was able to make his stories attractive to many audiences. Several of these stories can be enjoyed as psychological novels, as adventure stories, as suspense novels, and even one as a legal thriller. O'Brian was also a very funny writer, successful at both broad, low humor, and sophisticated wit. Finally, O'Brian made efforts to link some of the books together. While a number are complete in themselves, others form components of extended, multi-book narratives. Desolation Island, Fortune of War, and The Surgeon's Mate are one such grouping. Treason's Harbor, The Far Side of the World, and The Reverse of the Medal are another. The Letter of Marque and the ensuing 4 books, centered around a circumnavigation, are another.
Though the average quality of the books is remarkably high, some are better than others. I suspect that different readers will have different favorites. I personally prefer some of the books with greater psychological elements. The first book, Master and Commander, is one of my favorites. The last 2 or 3, while good, are not as strong as earlier books. I suspect O'Brian's stream of invention was beginning to diminish. All can be read profitably as stand alone works though there is definitely something to be gained by reading in consecutive order.Post Captain ( Book 2 in series) (Aubrey/Maturin Novels) Overview

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Nick of Time (Nick McIver Time Adventures) Review

Nick of Time (Nick McIver Time Adventures)
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Nick of Time (Nick McIver Time Adventures) ReviewTwelve-year-old Nick McIver loves his idyllic life on Greybeard Island, the smallest of England's Channel Islands. He spends his days on his little sloop, the Stormy Petrel, exploring the coastline and mapping reefs with his little sister Katie. Their father is the lighthouse keeper at Greybeard Light, and their happy family lives there. Nick's father Angus has a secret hobby, though. He's a "birdwatcher," scouting the Channel for German U-boats and airplanes, and reporting to Winston Churchill, in direct violation of orders from the government.
One day while out exploring in the Stormy Petrel, Nick and Katie come upon a sea chest in the sand, bearing the name Nicholas McIver, which was also the name of an ancestor of theirs. A mean red parrot sitting on the chest bites Katie and flies off, and Nick hides the chest in a cave for exploring later because the weather is getting ugly. On the way home, the storm drives Nick and Katie to stop in a nearby pub where the owner, Gunner, will give them hot tea. The red parrot is there, sitting with a menacing pair, Billy Blood and Snake, a thug with red snakes tattooed on his face. After frightening Gunner and the children, they disappear. When Nick's dog Jip is kidnapped by Billy Blood the same day his parents are called to London, they ask Gunner to watch the children, and Nick convinces him to go with him to the cave to collect the sea chest, Blood's ransom for his dog. Once they retrieve the chest and begin sailing for the rendezvous with Blood, an encounter with a German U-boat leads them to mysterious Hawke Castle, where they defy security measures and gain an audience with Lord Hawke, the castle's reclusive owner, whose own children have also been kidnapped by Billy Blood. They open the sea chest with the help of Hawke's close friend Hobbes, a high-ranking British admiral, to find a time machine and a note from Nick's ancestor, Captain Nicholas McIver, who needs help in a sea battle against Billy Blood 130 years earlier.
While Nick, Gunner, and Lord Hawke travel back in time to battle Billy Blood, Hobbes and Katie sail for London to deliver the information Nick collected on the German U-boat to Winston Churchill, and they soon find themselves captured by the Germans. Both Hobbes and little Katie have to use their wits to not only survive, but outsmart the Germans, while Nick, Lord Hawke, and Gunner combine their abilities to assist Captain McIver in his battle against Billy Blood, as well as rescuing Jip, Hawke's children, and a whole brig full of kidnapped children and pets.
Though enjoyable for all readers, this book would be an excellent choice for a preteen. The violence and language are mild, and its protagonist is 12 years old. The story is told mostly from a kid's perspective, too. I liked the dual adventures against fearsome adversaries in both 1939 and the distant past. Though not as globe-hoppingly exciting as his Alex Hawke adventures, this was a pretty good page turner a kid could especially love.
Nick of Time (Nick McIver Time Adventures) Overview

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Neuromancer Review

Neuromancer
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Neuromancer ReviewAdapted from ISawLightningFall.blogspot.com
The first time I tried to read Neuromancer, I stopped around page 25.
I was about 15 years old and I'd heard it was a classic, a must-read from 1984. So I picked it up and I plowed through the first chapter, scratching my head the whole time. Then I shoved it onto my bookshelf, where it was quickly forgotten. It was a dense, multilayered read, requiring more effort than a hormone-addled adolescent wanted to give. But few years later, I pulled the book down and gave it another chance. This time, William Gibson's dystopic rabbit hole swallowed me whole.
Neuromancer is basically a futuristic crime caper. The main character is Case, a burnt-out hacker, a cyberthief. When the book opens, a disgruntled employer has irrevocably destroyed parts of his nervous system with a mycotoxin, meaning he can't jack into the matrix, an abstract representation of earth's computer network. Then he receives a suspiciously sweet offer: A mysterious employer will fix him up if he'll sign on for a special job. He cautiously agrees and finds himself joined by a schizophrenic ex-Special Forces colonel; a perverse performance artist who wrecks havoc with his holographic imaginings; a long-dead mentor whose personality has been encoded as a ROM construct; and a nubile mercenary with silver lenses implanted over her eyes, retractable razors beneath her fingernails and one heckuva chip on her shoulder. Case soon learns that the target he's supposed to crack and his employer and are one and the same -- an artificial intelligence named Wintermute.
Unlike most crime thrillers and many works of speculative fiction, Neuromancer is interested in a whole lot more that plot development. Gibson famously coined the word "cyberspace" and he imagines a world where continents are ruled more by corporations and crime syndicates than nations, where cultural trends both ancient and modern dwell side by side, where high-tech and biotech miracles are as ordinary as air. On one page you'll find a discussion of nerve splicing, on another a description of an open-air market in Istanbul. An African sailor with tribal scars on his face might meet a Japanese corporate drone implanted with microprocessors, the better to measure the mutagen in his bloodstream. When he's not plumbing the future, Gibson dips into weighty themes such as the nature of love, what drives people toward self-destruction and mind/body dualism. It's a rich, heady blend.
That complexity translates over to the novel's prose style, which is why I suspect my first effort to read it failed. Gibson peppers his paragraphs with allusions to Asian geography and Rastafarianism, computer programming and corporate finance. He writes about subjects ranging from drug addiction and zero-gravity physics to synesthesia and brutal back-alley violence. And he writes with next to no exposition. You aren't told that Case grew up in the Sprawl, which is the nickname for the Boston-Atlanta Metropolitan Axis, a concreted strip of the Eastern Seaboard, and that he began training in Miami to become a cowboy, which is slang for a cyberspace hacker, and that he was immensely skilled at it, et cetera, et cetera. No, you're thrust right into Case's shoes as he swills rice beer in Japan and pops amphetamines and tries to con the underworld in killing him when his back is turned because he thinks he'll never work again. You have to piece together the rest on your own.
Challenging? You bet. But it's electrifying once you get it.
I've worked by paperback copy until the spine and cover have split, until the pages have faded like old newsprint. Echoes of its diction sound in my own writing. Thoughts of Chiba City or BAMA pop into my head when I walk through the mall and hear a mélange of voices speaking in Spanish and English and Creole and German. Neuromancer is in me like a tea bag, flavoring my life, and I can't imagine what it would be like if I hadn't pressed on into page 26.Neuromancer Overview

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