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Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music ReviewThis book is an essential edition to any filmmaker's library. It is both a guide and a reference work. It offers listings of many archival sources that allow for access to and affordable use of all kinds of images and music. It offers a primer on copyright, covering relevant issues related to archival use such as public domain content, internet licensing, moral rights, most-favored-nations clauses, music synchronization and master use licenses, and fair use. It also covers frustrating and sticky issues that arise when acquiring materials such as inability to gain access to public domain content.It engages the reader in an exploration that works for any of the creative arts--a discussion of ethical issues related to the use of other's content in a manner that is true to its original meaning, mission, context, and purpose.
And the book presents an inside/out perspective of the business of filmmaking and the complexities of its intellectual property issues. The authors accomplish this perspective through the use of interviews and roundtable discussions with well-established filmmakers, archivists, film researchers, insurance executives, and supervisors and managers of rights in the music industry. The work also contains a thought-provoking commentary on what copyright has become and of what it should be and why. This discussion impels filmmakers to actively engage in the current dialogue about a concept of copyright that would both protect their own and others' creations, secure current access to archival materials, and increase the amount of archival content that is accessible in the future.
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