Showing posts with label film making. Show all posts
Showing posts with label film making. Show all posts

The Encyclopedia of Underground Movies: Films from the Fringes of Cinema Review

The Encyclopedia of Underground Movies: Films from the Fringes of Cinema
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The Encyclopedia of Underground Movies: Films from the Fringes of Cinema ReviewWould you like to know more about movies than what's playing this week at the multiplex? Then take an incredible journey through the world of Underground Cinema with film critic Phil Hall as your guide. Hall's first book, "The Encyclopedia of Underground Movies" will blow your mind about thousands of films "which rarely find their way to audience, media or industry recognition" - including horror films, documentaries, comedies and gay-themed films. Because you'll want to find many of the movies Hall mentions, he has included websites for the films, if available. When a website is not available, Hall provides a link to a review of the film or to the Internet Movie Database's title listing. Do you want to make an underground movie of your own? If so, Hall also gives you some helpful tips. As if all this weren't enough, Hall's groundbreaking book is as entertaining to read as it is enlightening. His "Encyclopedia" is a must-read for film buffs!
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Entertainment 101: An Industry Primer Review

Entertainment 101: An Industry Primer
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Entertainment 101: An Industry Primer ReviewThe book taught me a lot about the fascinating entertainment industry. I reccommend it to experts and novices.Entertainment 101: An Industry Primer Overview

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Corporate Media Production, Second Edition Review

Corporate Media Production, Second Edition
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Corporate Media Production, Second Edition ReviewThis is a good book for those shooting commercial dvds for companies, specially if the people your shooting don't have experience being filmed, and need some support.
I've done some Corporate video myself and believe me this book has a lot of tips that will be useful.Corporate Media Production, Second Edition Overview

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Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music Review

Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music
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Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music ReviewThis book is an essential edition to any filmmaker's library. It is both a guide and a reference work. It offers listings of many archival sources that allow for access to and affordable use of all kinds of images and music. It offers a primer on copyright, covering relevant issues related to archival use such as public domain content, internet licensing, moral rights, most-favored-nations clauses, music synchronization and master use licenses, and fair use. It also covers frustrating and sticky issues that arise when acquiring materials such as inability to gain access to public domain content.
It engages the reader in an exploration that works for any of the creative arts--a discussion of ethical issues related to the use of other's content in a manner that is true to its original meaning, mission, context, and purpose.
And the book presents an inside/out perspective of the business of filmmaking and the complexities of its intellectual property issues. The authors accomplish this perspective through the use of interviews and roundtable discussions with well-established filmmakers, archivists, film researchers, insurance executives, and supervisors and managers of rights in the music industry. The work also contains a thought-provoking commentary on what copyright has become and of what it should be and why. This discussion impels filmmakers to actively engage in the current dialogue about a concept of copyright that would both protect their own and others' creations, secure current access to archival materials, and increase the amount of archival content that is accessible in the future.
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Swimming Upstream: A Lifesaving Guide to Short Film Distribution Review

Swimming Upstream: A Lifesaving Guide to Short Film Distribution
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Swimming Upstream: A Lifesaving Guide to Short Film Distribution ReviewIt has taken me almost two years on the film festival circuit with my first short film to learn half of the things discussed in this very informative and inspiring book! I wish I had found this book when I first started sending out my short to film festivals and dealing with distribution companies. There are funny anecdotes, stories, and wise nuggets from filmmakers and industry professionals that are really speaking from years of experience.
Sharon Badal has compiled an amazing group of people who are responsible for programming, discovering, and creating some of the best and most original shorts in the world. As a filmmaker, it is also very inspiring to read about the humble, passionate beginnings of filmmakers like Peter Sollett and Ryan Fleck/Anna Boden, and how their short films opened the doors for their feature films.
This book is a must-read for anyone trying to break in with their short film!Swimming Upstream: A Lifesaving Guide to Short Film Distribution Overview

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Getting it Done: The Ultimate Production Assistant Guide Review

Getting it Done: The Ultimate Production Assistant Guide
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Getting it Done: The Ultimate Production Assistant Guide ReviewI must say, as someone who has been on sets and seen the hustle and bustle, I was skeptical that there could be all of the necessary information one needs to survive the "biz" in a single book. Mr. Friedman, however, exceeded all expectations. He has found a way to walk a fine line between being both informative and entertaining at the same time, offering not only helpful hints and concrete facts, but using his own personal stories and experiences to enhance the reader's journey through this fascinating world. If there is one book I would suggest on the topic of being a production assistant, this would be it! I promise you will learn everything you need to know and more, and his inclusion of pictures, charts and paperwork forms provides an insight into life on set that cannot be rivaled.
"Getting it Done" could not be a more apt title for this book- Mr. Friedman clearly "gets it done" within its pages, and I promise that after you read it, so will you!Getting it Done: The Ultimate Production Assistant Guide Overview

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Final Cut Pro Workflows: The Independent Studio Handbook Review

Final Cut Pro Workflows: The Independent Studio Handbook
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Final Cut Pro Workflows: The Independent Studio Handbook ReviewAs a user of Final Cut Pro, but a relative newbie to postproduction I've struggled to understand the "Big Picture" of postproduction workflow.
Final Cut Pro Workflows is an awesome resource that doesn't cover all the same button pushing techniques that every other Final Cut Pro book does, but provides insightful and thoughtful workflow techniques that I've been able to apply to all my projects.
What I found particularly cool, and what I think separates this book from others is the 3rd part of book which is a collection of case studies. These case studies are great because they're written as a narrative and explore quite a few different workflows using Final Cut Pro.
This book is a must have!Final Cut Pro Workflows: The Independent Studio Handbook Overview

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Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era Review

Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era
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Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era ReviewI ordered Reiss' book as soon as I heard about it, as I had just finished shooting my first feature film this summer. I wish we had this book last year! But we are still in post-production so we'll get at least a metric ton of valuable information even at this point in the process to put into use before we finish the final edit and release our film. Now, the question is: how will we release it?
Many people would tell you the film business is somewhat broken and you cannot rely on a huge win at a festival and having your film bought and vaulted to hundreds of screens. This being the case, you have to work a little harder, you have to know how to manage your rights (digital and otherwise), how to market and reach your audience yourself and more than you ever thought as a filmmaker. Jon's book is very timely, full of current information (but he should sell it with a PDF update for future revisions!) and has answers to all types of questions. Theatrical? Festival? DVD? VOD? Streaming? BitTorrent? And how much time and money does this all take to do this DIY (do it yourself) anyway? How do I use social media to reach my audience? There are a million questions and Jon covers them all, and ably, too. I cannot recommend this book enough, especially for the price. Get yours now before Reiss figures out what a goldmine he's got here and starts charging $2,995 for a seminar that covers the same! Seriously, you could spend a lot of money on seminars and such and not get as much value as you get in "Think Outside the Box Office."Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing for the Digital Era Overview

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Cut by Cut: Editing Your Film or Video Review

Cut by Cut: Editing Your Film or Video
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Cut by Cut: Editing Your Film or Video ReviewI am an assistant (and sometimes still an apprentice) editor. When my Academy Award winning editor/boss told me to get this book, I didn't believe him. I knew how to run the Avid in my sleep and was getting jobs. But he was using it and recommending it to everyone he knew and then it was reviewed in this month's (July/August) Editors Guild magazine by a guy I trust. So I ordered it. Now ­I am recommending it. It covers everything you want to know about editing but were afraid to ask. It talks about the process and why editor's cut, not just how to digitize (it covers that generally) and how to get a job (I agree.) It has lots of useful charts and tables of all the stuff that you forget to remember such as formats, aspect ratios, film-to-tape conversion and vice versa. The author has clearly been in the editing trenches. I like her humorous tidbits and historical references like how R2D2 got his name. She also covers film - syncing, cutlists, neg cutting, etc. thoroughly which freaks the computer generation like me sometimes just as much as digital stuff can freaks older editors and directors. The film information as well as the digital, Web, DVD, and tape processes she so thoroughly details, have been invaluable to me in my work, paid and non. Speaking of which, gotta get back to my web film!

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Byte Sized Television: Create Your Own TV Series for the Internet Review

Byte Sized Television: Create Your Own TV Series for the Internet
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Byte Sized Television: Create Your Own TV Series for the Internet ReviewI wanted to love this book, but it became a love hate thing. First, and glaringly, it is not 260 pages. Not even close---under 200 actual pages which makes for a thin book. They paginate to 218 but over 20 of those pages are for one appendix or another. One was on additional reading, and I looked at those books---not impressive.
First, what I thought I was getting was a somewhat technical book on how to make an internet TV show happen. What you get is 199 pages written quite nicely by a writer about writing, mostly. That part was really, really disappointing. Not because it was poorly written--->because it was about WRITING. If the book was billed as WRITING for video, then fine. But it is about CREATING a TV SERIES for the INTERNET. I just thought there would be more about the internet and about how to do a series on the internet---technical stuff.
He says to upload it onto U-tube. Then he does say, unless you want to do some interactive things and then you might need a website. I just thought he could have expanded on all of that, or maybe could have had a co-writer who knew about such things, because I personally think the advent of internet TV is about programs you make that stand alone on the internet and have audience interaction---something like Bravo. If you think you are getting that, you aren't.
It is a 2011 version and so I assume his links to sites on the web are current and he does give some good ones. He has ideas on how to get casting--->like going to a college or to a theatre group. I thought that was helpful---I probably would have put an ad in the paper and these are MUCH BETTER ideas. I give him credit for that.
He points out what anyone who has ever used a video camera knows which is that the sound is pitiful. He spends way too much time telling the reader when that might be OK (here's where I got frustrated) when he could have spent that time telling me a basic thing---how do I fix it. Then he talks about how you need a boom and another person. This just isn't so. I am shooting one person and I know I need an external mic (not on my camera), but I don't begin to know what is available currently. My guy is shirtless and I don't happen to have another person (the boom guy) but I think there must be a way to mic him. He said if he talked about this it would make the book too long---let's face it, Ross, you could have gone on at least another 60 pages, since it is billed as a 260 page book. And SOUND is an extremely important topic. I almost wish they would have put what you are NOT getting because he does say repeatedly that if he had added this or that the book would have been too long. The book is in big type, BTW.
I looked at the Appendix on sound (he recommends another book by the same publisher who is Michael Wiese). I looked at that book on Amazon and, at best, it looked like he had only a few pages devoted to placing a mic on a person. Disappointing and somewhat self serving.
Take a look at the table of contents to see if this is the book you think it is. Almost half of it is about writing and another quarter is a very broad discussion about things you may (or may not) have picked up elsewhere. Feed your crew, be nice to your crew, be patient, don't burn a hole in the rug where you are shooting, clean up after a shoot. I mean, it's a nice review and well written, but I thought the book was going to have a whole lot more meat about how to technically make this whole thing happen. Now I sort of realize I already know how to make it happen.
I know how to create a website and if you know that and you also know how to write for film/tv, this book isn't going to take you too much further. As he says, just put your video up on U-tube. That's the technical pitch.
I don't know how to star this because I think if you are new to everything, it's a great book. A great first blush with creating your own show.
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Stand-Out Shorts: Shooting and Sharing Your Films Online Review

Stand-Out Shorts: Shooting and Sharing Your Films Online
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Stand-Out Shorts: Shooting and Sharing Your Films Online ReviewI think Stand-Out Shorts would be ideal for the wannabe short digital movie creator who wants to share her movies on the web but needs inspiration, basic information, and the kind of encouragement and moral support one can find in some books (including this one). I find Stand-Out Shorts far less overwhelming that similarly themed books that appear to be written for professional or at least very serious amateur movie makers who have serious money to invest in equipment and movie production, yet it is not a dumbed-down thrown-together guide like so many of the books on digital movie making that I've seen in bookstores and on the web. Many of the digital movie making books I've seen seem to take it for granted that the videographer is going to own or invest in a camcorder costing a thousand and up. In the "Buying a Camera" chapter of Stand-Out Shorts, the author discusses mid-priced camcorders (e.g., a $500 camcorder is mid-priced) and even suggests using the video recording capabilities that are standard with many newer generation DSLRs.
"Making movies is no different than any other creative work," it says on the back cover, "don't wait to be told you're good enough, just pick up the camera and start!" That encapsulates the spirit of Russell Evans' book, and I cannot help but be reminded of Natalie Goldberg's popular book on writing, Writing Down the Bones. As Evans' says in the "Start Here" section on page xi, Stand-Out Shorts is "a distillation of the stuff you need to know, packed into a small space" (though at over 300 pages the book is not that small, and I want to add that it has a detailed index).
Evans' tone is positive, encouraging, inspiring, passionate, and soulful and he conveys what I read as sincere enthusiasm throughout the book (I get no sense of hype or BS from the guy). He is informative and clearly knows his stuff where digital movie making is concerned (and there's a lot to know, which is why it can quickly become overwhelming).
Publisher Focal Press (who consistently prints well-bound books on good quality paper and Stand-Out Shorts is no exception) has a companion website for the book that features 7 additional chapters, including 4 interviews (of an Oscar nominated short filmmaker, a producer, a short film festival director, and a documentarian). (Though Evans makes reference to another website for the book at double-you x 3 standoutshorts dot com, it doesn't appear to be up at the time of this writing.)
Highly recommended to anyone - no big budget or pricey equipment necessary - who wants to get started exploring making short movies and sharing them online.Stand-Out Shorts: Shooting and Sharing Your Films Online Overview

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The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World Review

The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World
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The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World ReviewThis book is loaded to the gills with information about how studios market their films. It's very high quality-it helps you maximize distribution while minimizing risk. Like any quality work it is laden with examples of who did what, what worked and what didn't, and the most important piece of the equation: why.
So essential is this book to me that I wouldn't recommend spending a dime making a film until you've read this first. It covers not only the nuts and bolts of distribution but gives insight into what kinds of films are likely to be more profitable than others and how to analyze it with greater insight. Beyond that it includes the dynamic marketplace and what to consider about how you want to release your work. And of course, you want to know how to deal with large competition. You get good info on that here.
Chapters included:
Market Opportunity and Segmentation-The diverse roles of studios and networks
Intellectual Property Assets Enabling Distribution-The business of Creating, Marketing, and Protecting an Idea
Financing Production: Studios and Networks as Venture Capitalists
Theatrical Distribution
The Home Video Business
Television Distribution
Internet Distribution, Downloads, and On-Demand Streaming-A New Paradigm
Ancillary Revenues:Merchandising, Video Games, Hotels, Transactional Video On Demand, Airlines and other Markets
Marketing
Making Money-Net Profits, Hollywood Accounting, and the Relative Simplicity of Online Revenue Sharing
Really, these descriptions only scratch the surface as the coverage of each topic is detailed and broad. If you've covered all these things and you've analyzed it and you think you can make a good profit, congratulations. If you're the typical Indy with what you feel is a great script in hand, and you're brokering your staff, this book is worth the time it takes to read all 461 pages (page count not including index and references). Personally, I'm very glad I have The Business of Media Distribution and recommend that no serious film maker spend a dime without reading it first, beginning to end. You might even change your mind about the film you intend to produce, or have better ideas for making it profitable. Making money is risky-making money with movies is certainly no exception, and if you're Indy and making a quality film, there's a chance you have your share of investors on board. You owe yourself this book. It will be some of the best $35.00 you've ever spent. Your investors will certainly agree.
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