Showing posts with label video production. Show all posts
Showing posts with label video production. Show all posts

Corporate Media Production, Second Edition Review

Corporate Media Production, Second Edition
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Corporate Media Production, Second Edition ReviewThis is a good book for those shooting commercial dvds for companies, specially if the people your shooting don't have experience being filmed, and need some support.
I've done some Corporate video myself and believe me this book has a lot of tips that will be useful.Corporate Media Production, Second Edition Overview

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Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music Review

Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music
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Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music ReviewThis book is an essential edition to any filmmaker's library. It is both a guide and a reference work. It offers listings of many archival sources that allow for access to and affordable use of all kinds of images and music. It offers a primer on copyright, covering relevant issues related to archival use such as public domain content, internet licensing, moral rights, most-favored-nations clauses, music synchronization and master use licenses, and fair use. It also covers frustrating and sticky issues that arise when acquiring materials such as inability to gain access to public domain content.
It engages the reader in an exploration that works for any of the creative arts--a discussion of ethical issues related to the use of other's content in a manner that is true to its original meaning, mission, context, and purpose.
And the book presents an inside/out perspective of the business of filmmaking and the complexities of its intellectual property issues. The authors accomplish this perspective through the use of interviews and roundtable discussions with well-established filmmakers, archivists, film researchers, insurance executives, and supervisors and managers of rights in the music industry. The work also contains a thought-provoking commentary on what copyright has become and of what it should be and why. This discussion impels filmmakers to actively engage in the current dialogue about a concept of copyright that would both protect their own and others' creations, secure current access to archival materials, and increase the amount of archival content that is accessible in the future.
Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music Overview

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Getting it Done: The Ultimate Production Assistant Guide Review

Getting it Done: The Ultimate Production Assistant Guide
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Getting it Done: The Ultimate Production Assistant Guide ReviewI must say, as someone who has been on sets and seen the hustle and bustle, I was skeptical that there could be all of the necessary information one needs to survive the "biz" in a single book. Mr. Friedman, however, exceeded all expectations. He has found a way to walk a fine line between being both informative and entertaining at the same time, offering not only helpful hints and concrete facts, but using his own personal stories and experiences to enhance the reader's journey through this fascinating world. If there is one book I would suggest on the topic of being a production assistant, this would be it! I promise you will learn everything you need to know and more, and his inclusion of pictures, charts and paperwork forms provides an insight into life on set that cannot be rivaled.
"Getting it Done" could not be a more apt title for this book- Mr. Friedman clearly "gets it done" within its pages, and I promise that after you read it, so will you!Getting it Done: The Ultimate Production Assistant Guide Overview

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Final Cut Pro Workflows: The Independent Studio Handbook Review

Final Cut Pro Workflows: The Independent Studio Handbook
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Final Cut Pro Workflows: The Independent Studio Handbook ReviewAs a user of Final Cut Pro, but a relative newbie to postproduction I've struggled to understand the "Big Picture" of postproduction workflow.
Final Cut Pro Workflows is an awesome resource that doesn't cover all the same button pushing techniques that every other Final Cut Pro book does, but provides insightful and thoughtful workflow techniques that I've been able to apply to all my projects.
What I found particularly cool, and what I think separates this book from others is the 3rd part of book which is a collection of case studies. These case studies are great because they're written as a narrative and explore quite a few different workflows using Final Cut Pro.
This book is a must have!Final Cut Pro Workflows: The Independent Studio Handbook Overview

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Stand-Out Shorts: Shooting and Sharing Your Films Online Review

Stand-Out Shorts: Shooting and Sharing Your Films Online
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Stand-Out Shorts: Shooting and Sharing Your Films Online ReviewI think Stand-Out Shorts would be ideal for the wannabe short digital movie creator who wants to share her movies on the web but needs inspiration, basic information, and the kind of encouragement and moral support one can find in some books (including this one). I find Stand-Out Shorts far less overwhelming that similarly themed books that appear to be written for professional or at least very serious amateur movie makers who have serious money to invest in equipment and movie production, yet it is not a dumbed-down thrown-together guide like so many of the books on digital movie making that I've seen in bookstores and on the web. Many of the digital movie making books I've seen seem to take it for granted that the videographer is going to own or invest in a camcorder costing a thousand and up. In the "Buying a Camera" chapter of Stand-Out Shorts, the author discusses mid-priced camcorders (e.g., a $500 camcorder is mid-priced) and even suggests using the video recording capabilities that are standard with many newer generation DSLRs.
"Making movies is no different than any other creative work," it says on the back cover, "don't wait to be told you're good enough, just pick up the camera and start!" That encapsulates the spirit of Russell Evans' book, and I cannot help but be reminded of Natalie Goldberg's popular book on writing, Writing Down the Bones. As Evans' says in the "Start Here" section on page xi, Stand-Out Shorts is "a distillation of the stuff you need to know, packed into a small space" (though at over 300 pages the book is not that small, and I want to add that it has a detailed index).
Evans' tone is positive, encouraging, inspiring, passionate, and soulful and he conveys what I read as sincere enthusiasm throughout the book (I get no sense of hype or BS from the guy). He is informative and clearly knows his stuff where digital movie making is concerned (and there's a lot to know, which is why it can quickly become overwhelming).
Publisher Focal Press (who consistently prints well-bound books on good quality paper and Stand-Out Shorts is no exception) has a companion website for the book that features 7 additional chapters, including 4 interviews (of an Oscar nominated short filmmaker, a producer, a short film festival director, and a documentarian). (Though Evans makes reference to another website for the book at double-you x 3 standoutshorts dot com, it doesn't appear to be up at the time of this writing.)
Highly recommended to anyone - no big budget or pricey equipment necessary - who wants to get started exploring making short movies and sharing them online.Stand-Out Shorts: Shooting and Sharing Your Films Online Overview

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